Don’t Look Back In Anger: The Mythic World-building of Melinda Salisbury’s Her Dark Wings

Through a close reading of 'Her Dark Wings' by Melinda Salisbury and Ash Bond’s own work-in-progress this article examines the use of mythology as a megatext.

Authors

  • Ash Bond Author

DOI:

https://doi.org/10.58091/XM1A-9B68

Keywords:

mythology, creative writing, young adult, fantasy, creative writing for young people

Abstract

Through a close reading of Her Dark Wings by Melinda Salisbury and Ash Bond’s own work-in-progress this article examines the use of mythology as a megatext. It explores how both texts handle alternate narratives existing in parallel, and the use of the Underworld as a realm of initiation and transformation. It concludes that while the framework of myth can attract the reader, the subversion of an expected mythic narrative can be a useful tool to incite a reader’s curiosity and propel them through the story.

Author Biography

  • Ash Bond

    Ash Bond has a BA in Classics from the University of Oxford and an MA in Writing for Young People from Bath Spa University. She is now currently studying for a Creative Writing PhD at the University of Bristol where she researches, and writes, myth and fantasy. Ash is also a Bridging Histories ambassador, organising the St Paul’s Poetry Slams that celebrate voices within the community. Her first Middle Grade novel, the first of a fantasy adventure series, Peregrine Quinn and the Cosmic Realm, will be published by Piccadilly Press in Spring 2024. 

A lake with snowy mountains in the distance

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Published

26.04.2023