Reimagining “Beauty”: Young Adult Fairytale Retellings in Perpetuation of & Resistance to Patriarchy

This article utilises an intersectional, feminist lens to analyse the narrative and characterisation choices made by the authors of several different iterations the fairytale ‘Beauty and the Beast'.

Authors

  • Zoe Marriott Author

DOI:

https://doi.org/10.58091/9TCV-KR76

Keywords:

Feminism, intersectionality, fairytale retellings, Writing Craft, Creative Writing for Young People

Abstract

In recent years, Young Adult (YA) fiction has – following its speculative adult counterparts – seen an influx of feminist dystopias. With this increase, comes a vast assortment of patriarchal systems created to coerce and control young female protagonists. What are the steps for YA writers wishing to create such high-concept patriarchies? Prior to writing is understanding that real-world patriarchies are social systems with interconnected power discourses. Social ideals are created and upheld by institutions such as education, science and religion, to create common norms – or ‘Group Think’ – ensuring women are ruled by men, whether it be actively or passively. Thus, when planning, writers must first form the feminist message their novel revolves around, before turning this idea directly on its head: the world in their novel should present the direct opposite of their message. Now, with the foundations of a patriarchy conceptualised, writers must focus on developing and maintaining the social norms which are to keep their protagonist oppressed and unhappy. Finally, to deliver the desired message, writers must plot to send their oppressed and unhappy protagonist on a journey through the patriarchy; it is up to the writer whether they come out the other side.

Author Biography

  • Zoe Marriott

    This paper utilises an intersectional, feminist lens in order to analyse the narrative and characterisation choices made by the authors of several different iterations of the 18th  century French fairytale ‘Beauty and the Beast’: the 1740 original, The Beauty & the Beast by Gabrielle-Suzanne Barbot de Villeneuve; Jeanne-Marie Leprince de Beaumont’s Beauty & the Beast, published in 1756; Robin McKinley’s acclaimed 1978 Young Adult retelling  Beauty: A Retelling of the Story of Beauty & the Beast; and my own 2016 Young Adult reimagining  Barefoot on the Wind.

    By examining the changing ideals of femininity, depictions of masculinity, and the evolving notion of a ‘happily ever after’ revealed in these distinct imaginings of the same story and main characters, and examining my own creative process during the writing of Barefoot on the Wind, I hope to convincingly argue that while fairytales and their retellings are inescapably reflective of the cultural context in which they are created (or re-created), they may also, through an author’s choices, become a site of intentional resistance to the ingrained misogyny and classist prejudices which, through time, have been inscribed on the body of such narratives by patriarchy.

Small child holds up a sign. The sign reads 'Smash the Patriarchy'

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Published

26.04.2023